I wanted to write about Eric Owens, the bass-baritone, because he seems to be turning up an awful lot of places as artist-in-residence — Glimmerglass, Wolf Trap, and the Washington National Opera. I didn’t realize, however, just how deep his commitment to expanding his role actually is — something I outline in my article in this Sunday’s Washington Post, as he spends six weeks with the young singers at the Wolf Trap Opera.
Source: Washington Post
